| 2026 |
Salón, Solar Tacubaya, Mexico City, Mexico.
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Ebriedad Geométrica, Casa de Arte Limantour, Mexico City, Mexico. |
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Capitaloceno, Proyectoamil, Lima, Peru. |
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In Minor Keys: 61st Venice Biennale, Venice, Italy.
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Telenovela, The Americas Society, New York, USA.
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//sabotage, iMal Art Center for Digital Cultures & Technology, Brussels, Belgium.
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Life After Love: The Militant Image Now, Framers Framed, Amserdam, Netherlands. |
| 2025 |
It Goes Without Saying, Kunsthal Extra City, Antwerp, Belgium.
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Arte Contemporáneo en el Carrillo Gil. Memoria de las exposiciones 1974-2024, Museo de Arte Carrillo Gil, Mexico City, Mexico.
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| 2024 |
Pixel Perceptions: Into the Eye of AI, Noorderlicht, Netherlands.
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Aura Múltiple, Centro Nacional de las Artes, Mexico City, Mexico. |
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This is perfect, perfect, perfect, Transmediale, Berlin, Germany. |
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Let the real world in, Richmond Art Gallery, Vancouver, Canada. |
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Avatars in Paradise, Chica, Phoenix, USA. |
| 2023 |
Exposición inaugural, Museu de l’Art Prohibit, Barcelona, España.
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GUT_BRAIN: 1 Destructive Desires and Other Destinities of Excess, Blackwood Gallery, University of Toronto, Toronto, Canada.
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AMEXICA, Institut Culturel du Mexique, Paris, France.
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Polemiks, Galería Desborde, Bogota, Colombia.
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| 2022 |
NO ACCESS, Former NATO-Headquarters, Maastricht, Netherlands. |
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Un placer incierto, Museo de Arte Moderno de Bogotá MAMBO, Bogota, Colombia. |
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Futuro y Contemporaneidad: XIV Bienal de la Habana, Cuba.
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Polemiks, Galería NUBE, Santa Cruz de la Sierra, Bolivia.
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El tiempo en las cosas II, Museo Amparo, Puebla, Mexico.
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Expansión 14, Centro de Arte Contemporáneo Wilfredo Lam, La Habana, Cuba.
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| 2021 |
Normal Exceptions: Contemporary Art in Mexico, Jumex Museum, Mexico City. |
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Cien del MUAC, Museo Universitario de Arte Contemporaneo MUAC, Mexico City. |
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A Woodstock of Ideas / Joseph Beuys, Achberg and the German South, Kunsthalle Vogelmann Heilbronn, Heilbronn, Germany. |
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Shita (Under), online exhibition as part of “Art as Technology” program. With support of Arts Council Tokyo, ASAKUSA, Tokyo, Japan. |
| 2020 |
Luminosity, Downtown Kamloops, organized by the Kamloops Art Gallery, Canada. |
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Arts and Conflict: Contesting the Unavailability of Cultural Heritage, La_cápsula, organized by the University of Zurich, Switzerland. |
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Línies Vermelles (Red Bars), Centre d\\\'Art la Panera, Lleida, Spain. |
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It\\\'s Your World for a Moment, Bernard A. Zuckerman Museum of Art, Kennesaw, GA, USA. |
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Sleeping with a Tiger, K-Gold Temporary Gallery, Lesvos Island, Greece. |
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AMEXICA, The Loft, Servais Family Collection, Brussels, Belgium. |
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Who is gazing?, Museé du Quai Branly Jacques Chirac, Paris, France. |
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Performing Lives, Online Exhibition, Trinity Square Video, Toronto, Canada. |
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EXTRACOLONIAL: Reflections for Action, Sur Gallery // Latin American-Canadian Art Projects, Toronto, Canada. |
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Vent’anni twenty years, Kaufmann Repetto, New York. |
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Us and Them: Human Relationships with the Natural World, Queens LA, Los Ángeles. |
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LAW & (DIS)ORDER, Vtape, Toronto, Canada. |
| 2019 |
The Imperial Ghost in the Neoliberal Machine (Figuring the CIA), Wesleyan University, Connecticut, USA. |
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Contra-información, 45 salón Nacional de Artistas “El revés de la trama”, Galería Santa Fe, Bogota, Colombia. |
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How the light gets in. Migration in contemporary art, Johnson Museum of Art, Cornell University, New York. |
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Entanglements: Before and After NAFTA, ISCP (International Studio and Curatorial Program), New York. |
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Roppongi Art Night 2019, Roppongi Hills West Walk 2F, Tokyo. |
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The Imperial Ghost in the Neoliberal Machine (Figuring the CIA), e-flux, New York. |
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Reverberaciones, arte y sonido en las colecciones del MUAC, Museo Espacio de Aguascalientes, Aguascalientes, Mexico. |
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Latinoamérica en las colecciones CA2M y Fundación ARCO, Alcalá 31, Madrid. |
| 2018 |
Realidad Programada, Jumex Museum, Mexico City. |
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Motions, MINI/Goethe-Institut Curatorial Residencies Ludlow 38, New York. |
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Festival for the People, Cherry Street Pier, Philadelphia, USA. |
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Older than Satan, German Kruger Espantoso Gallery, Lima Peru. |
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Asakusa Entertainments, Asakusa, Tokyo, Japan. |
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Performing Lives, Optica, Montreal, Canada |
| 2017 |
Extra Bodies - On the \\\'\\\'use\\\'\\\' of the Other Body in Contemporary Art, Migros Museum für Gegenwartskunst, Zurich, Switzerland. |
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Approaching the border, The Ringling Museum, Florida, USA. |
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High Desert Test Sites Archive Exhibition, Copper Mountain Mesa Community Center Firehouset, Joshua Tree CA, USA. |
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Bienal Sur: Dura lex sed lex, Centro Cultural Parque de España,Rosario, Argentina. |
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Animal Farm, Kaufmann Repetto, New York, USA. |
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Reverberaciones, MUAC Museo Universitario de Arte Contemporaneo, Mexico City, Mexico. |
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First Day of Good Weather, Sies + Höke, Düsseldorf, Germany. |
| 2016 |
Libidinal Economies, mumok, Vienna, Austria. |
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Critical Aesthetics: The First 10 Years, Room Gallery, Irvine, USA. |
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What People do for Money: Some Joint Ventures, Manifesta 11, Zurich, Switzerland. |
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The Pleasure Principle, FARAGO, Los Ángeles, USA. |
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Cut with the Kitchen Knife through the Raw Future of 100 Years Before, Spatiu Intact, Cluj-Napoca, Romania. |
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The Fraud Complex, Westspace, Melbourne, Australia. |
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The Natural Order of Things, Jumex Museum, Mexico City, Mexico. |
| 2015 |
Safe, Home, Manchester, UK. |
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Corpocracy, The Station Museum of Contemporary Art, Houston, USA. |
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Romper las reglas: juego y desafío ético, Manuel Felguérez Gallery CENART, Mexico City, Mexico. |
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Strange Currencies: Art & Action in Mexico City 1990-2000, The Galleries at Moore, Philadelphia, USA. |
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Opening Exhibition, Parque Galería, Mexico City, Mexico. |
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Playback, OCAT, Shanghai, China. |
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Transmission recréation et répétition, Palais des Beaux Arts, Paris, France. |
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A Journal of the Plague Year, The Lab, San Francisco, USA. |
| 2014 |
Testigo del siglo, Museo de Arte de Zapopan, Guadalajara, Mexico. |
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Does Humor Belong in Art?, ACC Gallery, Weimar, Germany. |
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Gwangju Biennale, Gwangju, Korea. |
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Standard of Living,Gallery 400, University of Illinois, Chicago, USA. |
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In motion: Borders and Migrations, Utah Museum of Contemporary Art, Salt Lake City, USA. |
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Does Humor Belong in Art?, HALLE 14 - Center for Contemporary Art, Liepzig, Germany. |
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Permission To Be Global, Museum of Fine Arts, Boston, USA. |
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La historia la escriben los vencedores, OTR, Madrid, Spain. |
| 2013 |
Permission To BE Global, Cisneros Fontanals Art Foundation (CIFO) Art Space, Miami, USA. |
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Home Away, Armory Center for the Arts, Pasadena, USA. |
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Mexico Inside Out, Modern Art Museum of Fort Worth, Fort Worth, USA. |
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SUR Biennial, Torrance Art Museum, Torrance, USA. |
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Califoria-Pacific Triennial, Orange County Museum of Art, Newport Beach, USA. |
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Memorias de la Obsolescencia, Museo de Arte Contemporáneo Wifredo Lam, Old Havana, Cuba. |
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Laughter, Apexart, New York, USA. |
| 2012 |
Synthetic Rituals, Prichard Art Gallery, Moscow, USA. |
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Lo Carnavalesco, Mycellum Ingenium, Mexico City, Mexico. |
| 2011 |
Cuenca Biennial, Quito, Ecuador. |
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Incongruous, Musèe Cantonal des Beux-Arts, Lausanne, Switzerland. |
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SF>DF>TJ>GOT, Galleri Rotor, Valand School of Fine Arts, Gothenburg, Sweden. |
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Agiteded Histories, SITE Santa Fe, Santa Fe, USA. |
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Synthetic Rituals, Pitzer Art Gallery, Claremont, USA. |
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Proyecto Juaréz, Matadero, Madrid, Spain. |
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Antes de la resaca..., MUAC, Mexico City, Mexico. |
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The Workers, MASS MoCA, Massachussets, USA. |
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Commercial Break, Parallel activity to the Venice Biennial, Venice, Italy. |
| 2010 |
En cada instante, ruptura, Sala de Arte Público Siqueiros, Mexico City, Mexico. |
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Proyecto Juárez, Carrillo Gil Museum, Mexico City, Mexico. |
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Crossing, Paco de las Artes, Sao Paulo, Brazil. |
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Arsenal, Baró Galería , Sao Paulo, Brazil. |
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La Frontera: the cultural impact of Mexican migration, Museum of Contemporary Photography, Chicago, USA. |
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The Mole´s Horizon, Palais des Beaux Arts. Brussels, Belgium. |
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The Moving Image part 2: from scan to screen, pixel to projection, Orange County Museum, Orange County, USA. |
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I don’t know whether to laught or cry, London Museum, Ontario, Canada. |
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Noise – Sfeir -Semler Gallery, Beirut, Lebanon. |
| 2009 |
The Rustle of the lenguage, Kaufmann Repetto, Milan, Italy. |
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The Moving Image part two: from scan to screen, pixel to projection II. Orange County Museum, Orange County,USA. |
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Manimal, National Center for Contemporary Art in association with the International University of Moscow, Moscow, Russia. |
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O riso e a melancolia, Galeria Iberê Camargo, Porto Alegre, Brazil. |
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Tragicomedia, Cajasol y Centro Andaluz de Arte Contemporáneo, Sevilla, Spain. |
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Yoshua Okon + Barry Johnston, N.T.B.R., Los Angeles, USA. |
| 2008 |
Amateurs, CCA Wattis, San Francisco, USA. |
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White Russians, HDTS, California Biennial, High Desert, USA. |
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Escultura Social, Museo Alameda, San Antonio, USA. |
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Laughing in a Foreign Language, Hayward Gallery, London, England. |
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Laugh Track, YUM21C, Brussels Biennial Off program, Brussels, Belgium. |
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Electioneering, Fort Worth Contemporary Arts, Texas, USA. |
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The Station, Miami Beach, Miami, USA. |
| 2007 |
Das Phantastische Geheimnis des exotischen Universums, Galerie Brgit Ostermeier, Berlín, Germany. |
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New Images of Identity, Armory Center for the Arts, Pasadena, California, USA. |
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The Jewish Identity Project, The Jewish Museum of San Francisco, San Francisco, USA. |
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Luz y Fuerza del Centro, Charro Negro, Guadalajara, Mexico. |
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Mercosur Biennial, Porto Alegre, Brazil. |
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Eventos Sociales, GAM, Mexico City, Mexico. |
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Escultura Social, MCA, Chicago, USA. |
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Era de la Discrepancia. Arte y Cultura Visual en México 1968-1997, MUCA, Mexico City, Mexico. Fine Arts Museum, Houston, USA. Art Gallery, Vancouver, Canada. Malba, Buenos Aires, Argentina. |
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The Believers, Mass Moca, North Adams, USA. |
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Black Sphinx, Hammer Museum, Los Angeles, USA. |
| 2006 |
Coyotería, Staatsgalerie, Stuttgart, Germany. |
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Diálogos Fronterizos, Palacio de Congresos, Madrid, Spain. |
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Don’t Missbehave, SCAPE- Biennial of Art in Public Space, Christchurch, New Zeland. |
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Neo Con, Apex Art, New York, USA and Brittish Academy, Rome, Italy. |
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Ruby Satellite, Hyde Park Center, Chicago and California Museum of Photography, Riverside, USA. |
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Los Angeles/Mexico: Complexities & Heterogeneity, Jumex Collection, Mexico City, Mexico. |
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Blessed Are The Merciful, Feigen Contemporary, New York, USA. |
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Próximamente...,Museo de Arte Carrillo Gil, Mexico City, Mexico. |
| 2005 |
Day Labor, PS1 MOMA, New York, USA. |
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Pantagruel Syndrome, Torino Triennale, Castello di Rivoli, Torino, Italy. |
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America Tropical, Centre Culturel du Mexique. Paris, France. |
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Surveying the Border, Getty Center, Los Angeles, USA. |
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Oracle of Truth, Aeroplastics, Brussels, Belgium. |
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SCAR, Parkeergarage De Appelaar, Haarlem, Holland. |
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Boosts in the Shell (The Pursued), DeBond, Bruge, Belgium. |
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Monuments for the USA, CCA Wattis, San Francisco, USA. |
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Human Nature, Pump House Gallery, London, England. |
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Register the Distance, Borusan Gallery, Istambul, Turkey. |
| 2004 |
Adaptive Behaviour, New Museum, New York, USA. |
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Fishing in International Waters, Blanton Museum, Austin, USA. |
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Don’t Call It Performance, Museo Reina Sofía, Madrid, Spain and Museo del Barrio, New York, USA. |
| 2003 |
Istambul Biennial, Istambul, Turkey. |
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First ICP International Triennial of Contemporary Photography, International Center of Photography, New York, USA. |
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Terror Chic, Spruth/Magers Gallery, Munich, Germany. |
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This Is Not a Movie, The Museum of Fine Arts, Houston, USA. |
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The Virgin Show, The Wrong Gallery, New York, USA. |
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Female Turbulence, Aeroplastics, Brussels, Belgium. |
| 2002 |
Big Sur, The Project, Los Angeles, USA. |
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Mexico City: an Exhibition about the Exchange Rates of Bodies and Values, PS1 MoMA, Long Island, USA and Kunstwerke, Berlin, Germany. |
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8 x 2, Minnesota Center for Photography, Minneapolis, USA. |
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Use your illusion, Vedanta Gallery, Chicago, USA. |
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California Biennial, Orange County Museum of Art, Irvine, USA. |
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Pictures of You, Americas Society, New York, USA. |
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ALIBIS, Centre Culturel du Mexique, Paris, France and Witte de Witt, Rotterdam, Holland. |
| 2001 |
Pay attenti[on] Please, Museo d’Arte Provincia di Nuoro, Italy. |
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ZONING, The Project, New York, USA. |
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Políticas de la Diferencia, Arte Iberoamericano fin de Siglo, Generalitat Valenciana, Spain, Pinacoteca del Estado, Río de Janeiro, Brazil, Museo Nacional de Bellas Artes, Buenos Aires, Argentina, Museo Sofía Iber, Caracas, Venezuela. |
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Sala de Recuperación, Museo Carrillo Gil, Mexico City, Mexico. |
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City of Fictions, Mercer Union, Toronto, Canada. |
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BURIED MIRRORS, Center for Curatorial Studies, Bard College, USA. |
| 2000 |
ACTION VIDEOS, Artists Space, New York, USA. |
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c/o la ciudad, SAW Gallery, Ottawa, and Blackwood Gallery, Toronto, Canada. |
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EXTRAMUROS, Alternative project to the Havana Biennial, Havana, Cuba. |
| 1999 |
Sous la grisaille de Mexico, Passage de Retz, Paris, France and Capella de l’antic Hospital de la santa creu, Barcelona, Spain. |
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Paradas Continuas, Museo Carrillo Gil, Mexico City, Mexico. |
| 1998 |
MEXELENTE, Yerba Buena Center for the Arts, San Francisco, USA. |
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OKON CALDERON OCAMPO, Galerie Philomene Magers, Colone, Germany. |
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Vidéos d’art du Mexique et des Etats-Unis, Musée d’art Contemporain de Lyon, Lyon, France. |
| 1997 |
CAMBIO, 526W 26th Street, New York, USA. |